undefined

Product Description ------------------- A New Complete Edition, presenting Mozart's entire work including every last fragment, in the most authoritative edition ever created. The Edition presents over 240 hours of music, 600 solo performers and ensembles including 60 orchestras and every significant Mozart interpreter of the past 30 years. Five hours of new s have been commissioned for this Edition including premieres of previously-lost compositions and every perform-able fragment. Moreover, a further 25 CDs present key works in great alternative versions, while five more CDs present legendary and historic performances, making this Edition a document of the greatest Mozart performances as well as of his complete works. Two handsome, lavishly illustrated hardcover books present documentation at a level of authority never before seen in any boxed set, with over 150,000 words in each language, written by one of the great Mozart scholars of our age, Professor Clifford Eisen. Editorial is presented across two editions, one with English and French language, and the other with German and Japanese. Lending the Edition even more weight is the publication for the first time of a new Kochel guide presenting in short form the new Kochel catalogue developed over many years by the International Stiftung Mozarteum. Four frame-able prints are included in every set, including a Mozart letter and a score. Summary of Contents CD 1-10 Solo - Nannerl Notenbuch (excerpts), The London Sketchbook, Variations, Piano Sonatas, Minuets, Rondos, Fantasias, Adagios, Modulating Preludes, Prelude & Fugue, Suite, Works for mechanical organ and glass harmonica, Alternative versions CD 11-19 Duets Sonatas and Variations for Piano & Violin, Sonatas and Variations for Keyboard 4 hands and 2 Pianos, Duo for Bassoon & Cello, Violin & Viola Duos, Horn Duos CD 20-22 Trios Piano Trios, String Trios, Clarinet Trio 23-30 Quartets Divertimenti K136-K138, String Quartets, Flute Quartets, Oboe Quartet, Piano Quartets CD 31-34 Quintets String, Horn, Piano, Eine kleine Nachtmusik, Adagio & Fugue, Clarinet Quintet, Adagio & Rondo CD 35-39 Sextets, Octets etc Divertimenti, Serenades CD 40-49 Supplementary performances: Period instruments, Mozart's instruments, Classic & Historic CD 50-61 Symphonies CD 62-68 Serenades, Divertimenti, Cassations CD 69-73 Minuets, Contredanses, German Dances, Marches CD 74-87 Concertos CD 88-101 Supplementary performances: Concerto and Orchestral CD 102 Apollo et Hyacinthus CD 103-104 La finta semplice CD 105 Bastien und Bastienne; Der Schauspieldirektor CD 106-108 Mitridate, re di Ponto CD 109-110 Ascanio in Alba CD 111-112 Il sogno di Scipione CD 113-115 Lucio Silla CD 116-118 La finta giardiniera CD 119-120 Il re pastore CD 121 Zaide CD 122-124 Idomeneo CD 125-126 Die Entführung aus dem Serail CD 127 L oca del Cairo; Lo sposo deluso CD 128-130 Le nozze di Figaro CD 131-133 Don Giovanni CD 134-136 Così fan tutte CD 137-138 Die Zauberflöte CD 139-140 La clemenza di Tito CD 141 Thamos in Ägypten; Les Petits Riens etc CD 142-146 Additional Opera Arias, Insertion Arias, Concert Arias CD 147 Arias with Period instruments CD 148 Famous Arias CD 149 Classic Performances: Arias CD 150-152 Classic Performance: Le Nozze Di Figaro (Erich Kleiber) CD 153-154 Die Schuldigkeit des ersten Gebots etc CD 155-156 La Betulia liberata CD 157 Davidde penitente etc CD 158-169 Church Music Mass Settings, Litanies, Vespers, Shorter Works, Epistle Sonatas, Requiem CD 170 Supplementary Performances: Solemn Vespers; Requiem etc CD 171 Songs CD 172 Masonic CD 173 Canons & Partsongs CD 174-175 Fragments, Discoveries & Curios CD 176-178 Works completed by others CD 179-181 Arrangements of other composers CD 182-183 Handel Arrangements: Acis und Galatea CD 184-185 Handel Arrangements: Der Messias CD 186-187 Handel Arrangements: Das AAlexander-Fest/Ode auf St. Caecilia CD 188-190 Die Gärtnerin aus Liebe CD 191-193 Self-Arrangements CD 194-200 Works of Doubtful Authenticity Review ------ Mozart did even out-do Beethoven in some ways, in his simplicity and his incredible economy of notes --Artur Rubinstein It was, to me, most important to sing and speak at the same time, and Mozart operas were the greatest model for this. --Alfred Brendel It s just extraordinary to be doing this music, singing this music, working with this composer, playing with this composer, and having those moments - suddenly, you are in heaven. --Rolando Villazon